The main thing to understand though is that PluralEyes just works differently. With file names numbered sequentially there is really no reason you can't just group them on secondary storylines and have them in order.) (You can even throw them on out of sequence if you want, but that would just make it work harder.
PluralEyes then aligns all of it, placing gaps where needed. With PluralEyes, you throw all of your clips in chronological sequence onto the timeline, including second, third, fourth cameras, etc onto secondary story lines. It makes wild guesses and puts things all over the place, whether you are syncing to a compound clip or to a Multicam clip - it is the same mechanics. FCPX sync has no way to handle such a task because you are simply selecting a bunch of clips and telling it to sync. There were starts and stops on all devices because there were breaks in the performances.
PLURAL EYES MAC OS 10.6.8 SERIES
In my case, I was syncing a series of music performances that had multiple cameras and audio from an external recorder. Novemat 6:44AM, Edited September 4, 7:54AM Now I'll try version 3 if anything is better, beside way better GUI (based on demos I see). Syncin wedding (500+ clips) could take several hours (5+) to give than only smal part of clips synced properly on a reference audio clip. I can start syncin instantly when I open premiere. In most cases for my work PE way of doing it takes LONGER than manually. But in that cases most of the time I have few long clips running through entire duration. It is however almost perfect with controled enviroment where a concert is filmed or interview, or any show where cameras DOES NOT MOVE from it's place. And from thoose who supposed to be synced they are shattered with no clue. After that, you can import XML to Premiere and see that majority of files are lined in front or after synced portion, which mean unsynced at all. I mean waste of time.įirst exporting audio take ages (pain on HDD's, though acceptable on SSD's), than analyzing take ages, especially try hard option (I speak for version 2). But when 3 cameras and DSLR are shooting on a wedding reception while they are not LINED UP from same angle to the sound source, PE fails badly. I tested PluralEyes on several machines and with several projects.
And PE3 supports a lot of apps! Users get exactly what they need with one simplified purchase. But… As a part of our Red Pledge, when you purchase PluralEyes 3, you get it for ALL host applications supported by PE3 – not just one.
PLURAL EYES MAC OS 10.6.8 PRO
Even though newer NLEs like Final Cut Pro X (and not Premiere Pro, unfortunately) have the ability to sync audio, a third-party application like PluralEyes should be able to do it faster and more efficiently, and that's certainly the claim made by Red Giant about the new PluralEyes version 3. PluralEyes has been around for quite some time, and with the increasing popularity of DSLRs and recording dual-system sound, it's been a necessity.
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